A riveting, finely honed performance from Ben Gerrard brigs equal balance to the entertaining and the thought-provoking aspects of the life of survivor Charlotte von Mahlsdorf in I Am My Own Wife.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
A riveting, finely honed performance from Ben Gerrard brigs equal balance to the entertaining and the thought-provoking aspects of the life of survivor Charlotte von Mahlsdorf in I Am My Own Wife.
**In which Man in Chair Keeps The Secrets (ie no spoilers), but rather just gives a brief reflection on this incredible play** As a means of continuing the story of beloved wizard […]
Slick, streamlined and spirited, Dreamgirls is a hit all over again in its first ever West End outing. High production values and excellent direction mean the show could open on Broadway tomorrow […]
Equal parts charmingly festive, dreamily romantic, eerily haunting and tenderly moving, Mary Skeaping’s Giselle provides English National Ballet with a pristine showcase for the beauty of dance.
Brimming with lively energy and infectious charm, classic musical Half A Sixpence benefits mightily from the Cameron Mackintosh reinvention treatment.
A stunning new large-scale production, 42nd Street deservedly enjoyed a sold out season at Théâtre du Châtelet.
As big a hit now on the West End as on Broadway, School of Rock has cemented its place as Lord Andrew Lloyd Webber’s return to the top.
For their popular annual winter musical, Menier Chocolate Factory serves up a delectable chocolate box of melodies with Golden Age romantic musical comedy She Loves Me.
Surreal and deliberately inscrutable, production and performance of the David Bowie musical Lazarus respects and subtly celebrates the great artist’s talent and legacy.
Dazzling and affecting in equal measure, Matthew Bourne’s new work The Red Shoes is as superbly realised as it is ingeniously conceived.