“I dreamed last night I got on the boat to heaven.” So goes the encore to Encores! Songs from the Musicals, a lyric that proves entirely apt for the thrilling experience of […]
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
“I dreamed last night I got on the boat to heaven.” So goes the encore to Encores! Songs from the Musicals, a lyric that proves entirely apt for the thrilling experience of […]
Opera Australia presents a glorious tribute to the evergreen canon of Gilbert & Sullivan, long revered composers of their own special topsy-turvy style of operetta. What a difference a director makes. Where […]
Boasting a superb cast, hit Broadway musical Waitress makes its overdue Australian premiere in terrific form.
Splendid singing is the key attraction of this relatively understated staging of Mozart classic Don Giovanni, performed with a specific focus on the alternate title The Rake Punished.
Lovingly and lavishly crafted, the stage version of fantastical musical theatre parody Schmigadoon arrives on Broadway in pristine form.
The world’s favourite adult pantomime returns to Broadway in a splashy, starry new revival.
Spectacular staging is a clear highlight of The Lost Boys, diverting attention from the rather dreary rock score.
A terrific score in the classic Broadway style distinguishes new musical Beaches, a screen-to-stage adaptation happily heaving with heart and humour.
In an extraordinarily synergistic match of concept and material, Cats: The Jellicle Ball explodes with giddy energy and fiery passion.
A towering achievement, the timely second revival of Ragtime sees the beloved musical emerge as the white hot hit it was always destined to be.