While its title may match the chill of Melbourne winter, the arrival of Frozen brings welcome warmth and theatrical magic as the first major musical to debut locally since March 2020.
Melbourne Shakespeare Company gives their new “MSC Studio” brand a highly auspicious debut with this confidently condensed, genuinely gripping new staging of Shakespeare’s timeless tragedy King Lear.
Their standard ever on the rise, Melbourne Opera assembles a uniformly splendid company of singers to bring out the compelling potency of Verdi’s Macbeth.
Early Verdi chestnut Ernani may be strong on melodious music but the stilted story struggles to take flight despite an interesting directorial concept and a suite of strong performances.
CLOC Musical Theatre makes a spectacular return to the stage, bringing out the full spectrum of heartfelt humanity in Priscilla, Queen of the Desert.
In a suitably grand reopening for Melbourne’s much-loved State Theatre, Opera Australia brings the digital dazzle with their high-tech production of Verdi’s Aida.
Shoulder pads, big hair and vivid colours come back to the future in the vibrant Australian premiere season of The Wedding Singer.
A cleverly conceived musical spectacle, Drummer Queens is boosted by confident theatricality and high production values.
Not just an original score but also an original and highly entertaining story, new Australian musical Fangirls explodes onto the Melbourne stage in a very welcome yet all too brief season.
Riding the crest of the oh-so-politically-correct zeitgeist, The Cane taps into the current craze for scrutinising old sins under today’s standards.