The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
Delightfully daffy and sumptuously sung, Rossini’s Il Viaggio a Reims is the equivalent of a rich operatic dessert: featherlight layers of delectable pleasure with many a sweet hidden treat.
A fringe show juxtaposed into a mainstream season, Lazarus trades the safe for the surreal, presenting David Bowie’s cherished music in a decidedly enigmatic experience.
Benefitting from CLOC Musical Theatre’s traditionally boffo level of spectacle, the heart and sole soul of Kinky Boots lights up the Melbourne stage once more.
Intelligently conceived and handsomely staged, Sir David McVicar’s production of Così fan tutte matches elegance and wit with the simple pleasure of Mozart’s heavenly music.
Verdi’s richly melodious tragedy glistens again as Opera Australia returns its much loved Moshinsky staging of Rigoletto to the Melbourne stage.
Much loved, oft-produced Australian comedy Così is treated to a rather lavish revival in this co-production from Melbourne Theatre Company and Sydney Theatre Company.
A brilliant choice for the first musical to be presented as the annual Handa Opera on Sydney Harbour, West Side Story is given lavish, large scale treatment in what is essentially a […]
As witty as it is romantic, The Australian Ballet’s characterful production of Cinderellamakes an unplanned yet very welcome return visit to Melbourne, showcasing the glorious partnership of married principal artists Ako Kondo […]
Stripped raw and utterly lean, the new Melbourne Theatre Company production of A View from the Bridge thrives on the strength of its compelling characters and elegantly spare language, hurtling towards its shocking, […]