CLOC Musical Theatre go into their dance as they celebrate 50 fabulous years of Melbourne music theatre magic.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
CLOC Musical Theatre go into their dance as they celebrate 50 fabulous years of Melbourne music theatre magic.
An electrifying performance from prolific talent Bert LaBonté anchors Let’s Get It On, a soulful trip down Motown memory lane.
Perennial favourite Carmen returns as a rare autumn blossom, with additional generous touches from Opera Australia making this an immersive night out at the theatre. Atmospheric live music warms the audience before […]
In the years since musicals dropped off radio playlists and album charts, Wicked was the first show to arrive to a public frenzy of interest and anticipation. Six years later, and now […]
Originally written for television and considered too intimate for grand opera houses, Chapel off Chapel proves to be the ideal venue for this lovingly staged production by Lyric Opera. The little-known work […]
Opera Australia brings sunny summer back to Melbourne in this featherlight confection, a neat contrast to the sturm und drang of the season’s other three offerings.
Opera Australia strays from the chocolate box favourites with this all too rare staging of Tchaikovsky’s Eugene Onegin, a presentation all the more precious for its ingenious concept and glorious singing.
40 years old? Time really is fleeting. But madness has not taken its toll on Richard O’Brien’s Rocky Horror Show, still the king of cult camp classics. Craig McLachlan walks away with […]
In an everything-old-is-new-again twist, Opera Australia’s latest production of Verdi’s immortal classic Rigoletto eschews gimmickry and high concept by returning the opera to its original time and place, albeit with a twenty-first […]
Classy, adult entertainment, Audra McDonald’s star turn as late-in-life Billie Holiday is an immersive, affecting, spellbinding experience.