In a synergistic meeting of talent and content, singing actors Laura Fitzpatrick and Josh Piterman come together to divert with their devotion to Broadway tunesmith Jason Robert Brown.
King of the World: A Tribute to the Music of Jason Robert Brown review
Atlantis in Concert review
In a concert staging that can only be described as all class, musical wunderkind Matthew Robinson gathered a dozen of his oh-so-talented friends to knock the socks off members of the Melbourne […]
Pacific Overtures review
There must be a blue moon in the night sky, for how else to explain an appearance by the rarest of Stephen Sondheim musicals, Pacific Overtures?
MTC: Private Lives review
Sumptuous production values and splendid direction distinguish this classic offering, its quality boding well for the MTC new year.
Diamonds are for Trevor review
There is nothing like a dame performed by irrepressible talent Trevor Ashley, and what a grand Dame he gives us in Diamonds are for Trevor. With a stellar big band to match […]
Paris Opera: Werther review
What better opera to see in Paris than this most French of operas, starring France’s favourite opera son. This season premiere is distinguished by excellent singing, fine orchestral playing and a suitably […]
The Royal Ballet: Giselle review
Secretive suitors and supernatural specters tinge the pure, romantic love story at the heart of perennial ballet favourite Giselle. Peter Wright’s lovingly traditional production remains a jewel in the crown of the […]
Charlie and The Chocolate Factory The New Musical review
A beloved childhood novel, movie and movie remake, the blue chip property Charlie and the Chocolate Factory finally makes it to the music theatre stage. Housebound and bogged in exposition through act […]
English National Ballet: Le Corsaire
Le Corsaire is a traditional full-length ballet that is light on storytelling, allowing plenty of scope for a multitude of featured dances, and set in an exotic locale, giving the opportunity for […]
Putting it Together 2014 review
Art isn’t easy. This well constructed revue of Stephen Sondheim gems is a pleasure to hear, but suffers from a dismally slight production and an unevenly matched cast.
Man in Chair 