Decadently staged and intriguingly cast, the eagerly anticipated new production of Sunset Boulevard makes its Australian premiere in scintillating form.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Decadently staged and intriguingly cast, the eagerly anticipated new production of Sunset Boulevard makes its Australian premiere in scintillating form.
Just shy of sixty years young, Neil Simon’s The Odd Couple returns in a brightly polished, perfectly cast, utterly hilarious revival.
Saving the last night of her current Australian tour for musical-loving Melbourne, Audra McDonald thrilled, charmed, and moved the adoring crowd with a glorious evening of song and story.
With the provocative punch of a newspaper editorial, new Ron Elisha play Rootless Cosmopolitans arrives promptly on stage with the timeliness and relevance that subsidised theatre could only dream about.
Splendidly realised in both dramatic and musical terms, this handsome new staging of bel canto treasure Lucia di Lammermoor sees Melbourne Opera at their confident best.
As long as there are phoney celebrities, there will always be Chicago. Whereas the previous three outings were spaced ten years apart, this fourth Australian tour of the iconic 1996 Broadway revival […]
Making a welcome return, 2019 Handa Opera on Sydney Harbour hit West Side Story showcases a younger lead cast. Tightly drilled dance and wonderful music remain clear highlights.
A fittingly grand production for the final season at the State Theatre before its three-year renovation, Alice’s Adventures in Wonderland makes a welcome return, sparkling anew with a fresh cast of dancers […]
Rejoicify, fellow citizens of Melbourne! Thrillifying Broadway musical Wicked returns in peak form for a very welcome third season at the suitably swankified Regent Theatre.
Stage Bugs Productions ramp up the camp for a devilishly delightful season of wickedly witty cult favourite, Ruthless! The Musical.