Victorian College of the Arts Secondary School presented a full program of lively, varied, polished dance, reflecting a deep talent pool within their student body.
I have appeared in about 40 productions over the past thirty-three years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors for St Michael’s Grammar School, then went on to direct Hot Mikado and the Australian premiere of 13 for St Michael’s. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr for St Michael's.
I review music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and I am currently on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in New York this year, as well as 57 shows during 6 weeks in London/Europe earlier this year.
I hope you enjoy reading the news and reviews at Simon Parris: Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
A perfect match of star and show, Evita benefits mightily from the powerhouse vocals and intense presence of Tina Arena. ***To read Man in Chair’s Melbourne review of Evita, click HERE***
Brilliantly conceived and expertly realised, The Australian Ballet’s world class new production of Spartacus is an artistic and physical triumph.
Operatic nightingale Emma Matthews gives a tour de force performance as she returns to the Melbourne stage in The Space Between, a unique and highly personal new work by Paul Grabowsky and Steve […]
Victorian Opera succeeded in meeting the sky high expectations for their third Bellini concert starring Jessica Pratt, presenting an evening of sterling musicianship and pairing Pratt with a colleague of similarly exceptional […]
The biting satire of Tom Lehrer’s Tomfoolery retains its ever-amusing freshness, especially as performed by a quartet of well-seasoned comic actors.
The Australian Ballet School neatly balanced classical, modern and Spanish dance, along with a healthy dose of good humour, in their highly entertaining Showcase 2018.
Melbourne is treated to an exclusive return season of the celebrated Maina Gielgud production of eternal ballet classic Giselle.
Compelling acting and prescient storytelling elevate the almost too clever “What if?” premise of A Doll’s House, Part 2.
Rohan Browne deservedly Gets His Name In Lights as he takes centre stage in this spectacular new production of much loved Australian musical The Boy from Oz.