I have appeared in about 40 productions over the past thirty-three years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors for St Michael’s Grammar School, then went on to direct Hot Mikado and the Australian premiere of 13 for St Michael’s. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr for St Michael's.
I review music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and I am currently on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in New York this year, as well as 57 shows during 6 weeks in London/Europe earlier this year.
I hope you enjoy reading the news and reviews at Simon Parris: Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Irresistible guilty pleasure Legally Blonde returns in a blue-chip boutique production anchored by a dazzling star turn from Samm Hagen as everyone’s favourite pretty-in-pink law student, little Miss Woods, Elle.
The extraordinary quality of Kiss of the Spider Woman belies the eight-year gap since Melbourne Theatre Company produced a Broadway musical as part of their mainstage season. The dark, dazzling adult musical […]
In an auspicious world premiere season, Music Theatre Melbourne takes audiences back to the garishly colourful 1980s in Electric Dreams, a new Australian musical based on the cultish 1984 film.
The gift that keeps on giving, Graeme Murphy’s 1990 production of Turandot is grand opera at the pinnacle of artistic collaboration. Opera Australia’s revival sees the lavish work make a welcome Melbourne […]
Grand in scope and intimate in detail, Ella Hickson’s 2016 play Oil is a given a suitably intense and immersive production for its Australian premiere at Red Stitch Actors’ Theatre.
In an evening of sterling musicianship, master singer Bryn Terfel held a capacity audience spellbound in a carefully curated program that also saw Orchestra Victoria performing at their very best.
With the bubble and fizz of a freshly poured flute of champagne, Opera Australia’s new operetta Two Weddings, One Bride is enhanced by the shining talents of its sextet cast.
Working at the very height of their powers, The Production Company rewards Melbourne for 21 years of love and support with a superlative production of epic 1999 Broadway musical Ragtime.
One of the most charming, heartfelt recent Broadway musicals you have never heard of, Bright Star is given a lovingly crafted production by Pursued by Bear, the intimate stage of Chapel off […]
Well worth the twenty-five-year wait, this was the Moment, not just for Anthony Warlow to actually play Dr Jekyll and Mr Hyde on stage, but also for Australia to finally see a […]
