Lynn Ahrens and Stephen Flaherty’s 1990 musical Once On This Island is back on Broadway in an immersive, in-the-round production that brims with warmth and invention.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Lynn Ahrens and Stephen Flaherty’s 1990 musical Once On This Island is back on Broadway in an immersive, in-the-round production that brims with warmth and invention.
It’s Sydney’s turn to discover the joys of In The Heights, and this electric new production is the ideal introduction.
Opera Australia neatly balances the spectacular with the intimate as the seventh season of firmly established opera attraction Handa Opera on Sydney Harbour turns its sights on one of the world’s most […]
A slick production, excellent direction and an incredibly talented cast elevate the material on offer as cult favourite Bare makes a return to the Melbourne stage.
The Australian Ballet honours and celebrates their extraordinary 50-year association with Australian living legend and national treasure Graeme Murphy in the lovingly curated new mixed program, Murphy.
Whip crack away! The Deadwood Stage has made a very special trip down from Sydney to deliver this rollicking hit production of Calamity Jane to the musical-loving theatregoers of Melbourne.
It may be the first day of autumn, but the smiles of a summer night can be enjoyed in this welcome revival of rapturously melodic musical A Little Night Music.
Transplanting a punk pop album onto a musical theatre stage proves an inspired concept as Melbourne embraces the electric energy of Green Day’s American Idiot.
Reveling in its crassness, Hand to God is as deliberate in its intent to shock as it is obvious. A very strong local cast adds to the attraction of this Australian premiere.
A musical to be cherished, Beautiful: The Carole King Musical arrives in pristine form, packed with lively singing talents who have honed their roles to theatrical perfection.