Explosive energy threatens to blow the roof right off the theatre as StageArt presents the Australian premiere of 2010 Best Musical Tony Award-winner, Memphis.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Explosive energy threatens to blow the roof right off the theatre as StageArt presents the Australian premiere of 2010 Best Musical Tony Award-winner, Memphis.
Acclaimed singers in their own right, Michael Ball and Alfie Boe are even better Together, a fact Melbourne fans can attest to after last night’s boffo concert at Hamer Hall.
Programmed well over a year ago, the presentation of The Second Hurricane turns out to be prescient indeed, sharing a message of the power of banding together in chaotic times.
The perfect size for a boutique musical production, They’re Playing Our Song launches new independent musical theatre troupe Company Eleven with great flair.
An original work in every regard, Self is an extraordinary display of creativity, celebrating the artistry that can be achieved by the collaboration of local talent.
In a timely and glittering new production, Hayes Theatre Co has attracted an extraordinary cast to present Stephen Sondheim and John Weidman’s pitch black musical, Assassins.
A glittering celebration of twentieth century pop music, the Australian premiere season of Beautiful: The Carole King Musical is blessed with a superb local cast.
It turns out that Pop-up Globe’s As You Like It is exactly as I like it: funny, loud, brash, musical and packed with heart.
An artistic triumph, Black Rider combines a magically innovative production with an incredibly characterful cast to create a highly memorable evening of adult theatre.
Moving from traditional classical dance to innovative modern dance, The Australian Ballet School capably illustrated the breadth and depth of the students’ talents in their highly entertaining Showcase 2017.