A satire about satire, new Eddie Perfect musical Vivid White is as surprising as it is amusing, as familiar as it is shocking, and as polarising as it is entertaining.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
A satire about satire, new Eddie Perfect musical Vivid White is as surprising as it is amusing, as familiar as it is shocking, and as polarising as it is entertaining.
A new collective of committed artists breathes fresh life into independent musical theatre favourite The Last Five Years with an immersive, music-centric production.
The long awaited Great Australian Musical has finally arrived. By turns hilarious and heart-rending, Muriel’s Wedding the Musical is as meticulously crafted and brilliantly performed as the best that Broadway has to […]
Merrier than ever, The Merry Widow returns in a decadent new production.
In yet another triumph, Melbourne Opera not only presents a superb evening of bel canto opera, but also corrects a long-standing arts omission by staging the Australian premiere of Donizetti’s Roberto Devereux.
An intelligent update and a terrific cast make Brigadoon an immensely satisfying offering from The Production Company.
CLOC Musical Theatre revives seminal Broadway classic A Chorus Line in a production that neatly balances a fresh interpretation with respectfully traditional elements.
Celebrating their tenth anniversary season, local Melbourne company OSMaD serves up another pristine production. The gorgeous music of Chess is heard at its very best with a 22-piece orchestra, strong leads, large […]
Anna Netrebko and Yusif Eyvazov delivered mightily on their promise of An Evening of Opera Highlights, giving their all as they performed sterling repertoire in an unforgettable concert.
It seems that when StageArt are not too busy presenting Australian premiere musicals, celebrating diversity in casting or providing affordable high quality entertainment, they are shining the spotlight on new, original Australian […]