Gorgeous music and impeccable design combine to tell a captivating story in the long awaited stage adaption of Anastasia.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Gorgeous music and impeccable design combine to tell a captivating story in the long awaited stage adaption of Anastasia.
Reuniting many of the high wattage talents behind Matilda, new musical Groundhog Day is a slickly produced, crowd-pleasing show in the best Broadway tradition.
New Broadway musical In Transit is doubly unique, winning points for both its originality and for being an entirely performed a cappella.
To borrow Norma Desmond’s expression, Glenn Close is enjoying a phenomenal “return” to Broadway, and to her 1994 Tony-winning role, with this unique, glossy, concert-like staging of Sunset Boulevard.
Victorian Opera presented another authentic introductory opera experience with this highly accessible, sweetly amusing production of The Princess and the Pea.
Presenting an expertly curated mixed program, The Australian Ballet begins it Melbourne 2017 season in superb form. Faster showcases the company with a well-matched trio of cutting edge contemporary works, two of […]
Lyric Opera of Melbourne continues to enrich the local opera scene with eclectic selections that are beautifully produced. The Japanese Princess is a charming beginning to the company’s 2017 season.
Let’s Give Three Cheers and One Cheer More for the hardy team at Melbourne Opera. This skillful, lovingly reverential production of H.M.S. Pinafore is the sparkling gem that Melbourne Gilbert and Sullivan […]
Victorian Opera is at its imaginatively creative best with this beautifully realised and gorgeously sung production of Respighi’s The Sleeping Beauty.
Independent Melbourne company StageArt begins 2017 with a confident, large-scale production of 2000 Broadway musical The Full Monty, capably demonstrating that they can fill the stage and auditorium of a much larger […]