Original Australian musical Ladies in Black retains its down to earth charm in this welcome national tour.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Original Australian musical Ladies in Black retains its down to earth charm in this welcome national tour.
Beloved Verdi classic Il Trovatore makes an all too rare Melbourne appearance in this ambitious production by CitiOpera.
How can something so Wrong be so right?
Beginning their 2017 season, Victorian Opera, continues their admirably prolific output of original material with ‘Tis Pity: An Operatic Fantasia on Selling the Skin and the Teeth.
Australia finally has the chance to say Hello! to The Book of Mormon, and this sparkling production has been well worth the wait.
The UK premiere season of 2011 Maury Yeston musical Death Takes A Holiday is as exquisitely sung as it is handsomely staged.
A riveting, finely honed performance from Ben Gerrard brigs equal balance to the entertaining and the thought-provoking aspects of the life of survivor Charlotte von Mahlsdorf in I Am My Own Wife.
**In which Man in Chair Keeps The Secrets (ie no spoilers), but rather just gives a brief reflection on this incredible play** As a means of continuing the story of beloved wizard […]
Slick, streamlined and spirited, Dreamgirls is a hit all over again in its first ever West End outing. High production values and excellent direction mean the show could open on Broadway tomorrow […]
Equal parts charmingly festive, dreamily romantic, eerily haunting and tenderly moving, Mary Skeaping’s Giselle provides English National Ballet with a pristine showcase for the beauty of dance.