Fabulous, Baby! Congregation-pleasing screen-to-stage adaptation Sister Act the Musical spreads the Sunday Morning Fever as it makes its long overdue Australian premiere tour in heavenly form.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Fabulous, Baby! Congregation-pleasing screen-to-stage adaptation Sister Act the Musical spreads the Sunday Morning Fever as it makes its long overdue Australian premiere tour in heavenly form.
Quirky, original, and sweetly adorable, new musical Maybe Happy Ending is a magical journey of love and wonder that gamely sees the very best in our throwaway world of consumer convenience.
By turns rousing, distressing, moving, and uplifting, unique new musical Swept Away celebrates the stirring bluegrass music of prolific folk rock group The Avett Brothers.
Shriekingly funny, Oh, Mary! sees prodigiously gifted comic writer and actor Cole Escola at the giddy height of their delectable powers.
Fresh from a triumphant season at New York City Center, unabashedly wholesome Golden Age musical comedy Once Upon A Mattress delights in this limited Broadway season.
A prime example of a lavish Broadway musical comedy, Death Becomes Her roars to life on stage boasting a pair of fabulous lead performances from Megan Hilty and Jennifer Simard playing deadly […]
Instrumental and vocal performances of the very highest calibre help to compensate for the complete lack of costumes and sets in this glorified concert presentation of Sunset Boulevard Sunset Blvd..
A stage musical version of The Outsiders may sound like a daffy gag from an episode of The Simpsons but the result is actually a dazzling, thrilling, and moving achievement.
Vividly justifying the very invention of musical theatre, Ragtime returns to New York City in a superbly cast, meticulously directed production that celebrates social progress whilst championing further gains.
Tonally fluid and breezily superficial, new Elton John musical Tammy Faye gamely attempts to capture and recreate the spellbinding powers of televangelists Jim and Tammy Faye Bakker.