Concerts and boutique productions flourished, a modern opera premiere swept its categories in the Helpmann Awards and a host visiting stars graced our stages in the 2015 year of opera.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Concerts and boutique productions flourished, a modern opera premiere swept its categories in the Helpmann Awards and a host visiting stars graced our stages in the 2015 year of opera.
The Production Company’s staging of Jerry’s Girls delivers, as promised, Australia’s leading ladies and Broadway’s greatest showstoppers. If these elements were presented on their own merits, the show would most likely be […]
As frothily effervescent as a freshly shaken bottle of Coke, this blue chip 2001 production bubbles over with amusing delight.
Played straight and true, characterful comedy The Marriage of Figaro is all the funnier.
Victorian Opera’s audience showed great faith in the polish, variety and flair of the company by filling Hamer Hall for an evening where more than half the program consisted of new compositions […]
The cream of Australian music theatre talent shine in this most intelligently adult of Broadway musicals.
Glorious music is a clear highlight of CitiOpera’s new production of La Cenerentola, with a large orchestra and excellent singers bringing Rossini’s sparkling score to life.
In an unforgettable evening of song and story, Audra McDonald brought her once-in-a-lifetime voice to Melbourne last night.
An inspired choice for an opera adaptation, especially in this WWI centenary year, Fly Away Peter is a compelling, haunting reflection on the inescapable horror of war.
In a welcome and long awaited Australian visit, Romanian soprano Angela Gheorghiu demonstrated her finely honed artistry and the luxurious beauty of her voice along with the verve of her glamorous bella […]