
Opera Australia strays from the chocolate box favourites with this all too rare staging of Tchaikovsky’s Eugene Onegin, a presentation all the more precious for its ingenious concept and glorious singing.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Opera Australia strays from the chocolate box favourites with this all too rare staging of Tchaikovsky’s Eugene Onegin, a presentation all the more precious for its ingenious concept and glorious singing.
40 years old? Time really is fleeting. But madness has not taken its toll on Richard O’Brien’s Rocky Horror Show, still the king of cult camp classics. Craig McLachlan walks away with […]
In an everything-old-is-new-again twist, Opera Australia’s latest production of Verdi’s immortal classic Rigoletto eschews gimmickry and high concept by returning the opera to its original time and place, albeit with a twenty-first […]
Classy, adult entertainment, Audra McDonald’s star turn as late-in-life Billie Holiday is an immersive, affecting, spellbinding experience.
Although static direction and dated scenery plague this production of I Puritani, beautiful singing thankfully makes some compensation towards salvaging the evening’s entertainment.
Neil Patrick Harris, working at the height of his powers, gives an unforgettable, tour de force performance in this perfectly chosen star vehicle. The fact that Harris’ sitcom fans will feature heavily […]
Do You See The People Spin? Not any more, in this epic new production of the world’s favourite musical.
Rapturously beautiful music flows throughout this new, almost chamber-sized musical. The gently paced, very adult romance is absorbing, and leads to a poignantly affecting conclusion.
Off-Broadway gets in on the movie adaptation act with this lively, technicolor musical that opened on 31 March, 25 years to the day since the cult classic opened in cinemas. The blacker-than-pitch […]
Utterly charming in concept, form and execution, the originality of A Gentleman’s Guide to Love and Murder is a breath of fresh air in the modern-day miasma of movie-musicals.Nifty performances, snazzy design […]