Compelling modern classic Miss Saigon makes as strong as possible a case for its return, with a spectacular staging and sensational cast.
Opera Australia: Miss Saigon review [Melbourne 2023]
Classic Stage Company: I Can Get It for You Wholesale review
Revived and revised by Classic Stage Company, 1962 Broadway musical I Can Get It for You Wholesale benefits from a starry cast and darkly sharpened book.
Shucked review [Broadway]
Delightfully daffy, original musical comedy Shucked lovingly skewers small town America, subversively mocking conservative values to delicious effect.
Home Grown: Musical Theatre by Australian Writers review [October 2023]
More than simply a gig or concert, Home Grown: Musical Theatre by Australian Writers had the blissful vibe of a Love-in, with singers, musicians, composers, and audience members coming together to share […]
Soundworks Productions: Songs For A New World review [Melbourne 2023]
Looking for a unicorn? Soundworks Productions’ Songs For A New World is that incredibly rare theatrical achievement in which a modern lens is imposed upon an existing show and actually achieves fascinating, […]
Mamma Mia! review [Melbourne 2023]
Melbourne favourite Mamma Mia! returns for a fifth, and surely not final, season.
Elvis: A Musical Revolution review [Melbourne]
Blessed with a top flight creative team and terrifically talented cast, new bio-musical Elvis: A Musical Revolution shines in its best possible light.
Watch This: A Funny Thing Happened on the Way to the Forum review [Melbourne 2023]
Taking on the saucy sexism of 1962 Broadway farce A Funny Thing Happened on the Way to the Forum, innovative Sondheim repertory company Watch This achieves varied results with an all female-identifying […]
Bernadette Robinson: Divas review [Melbourne]
Firmly established as the first lady of vocal fluidity, Bernadette Robinson draws generously upon her unique gift to summon a sumptuous smorgasbord of international Divas.
Anna O’Byrne: Becoming Eliza review [Melbourne 2023]
Engaging, inspiring, and delightfully amusing, Anna O’Byrne’s intimate and candid recollection of her journey of Becoming Eliza makes for a throughly entertaining evening.
Man in Chair 