A homophobic diva was cast out, boutique productions thrived, and the world’s top tenor visited Australia in the 2014 year of opera.
2014 Opera Year in Review
Opera Australia: Falstaff review [Melbourne]
Superb singing and stunning designs showcase the depth of Opera Australia’s talent pool to full advantage in this very merry revival of Falstaff.
Opera Australia: Don Pasquale review [Melbourne]
Donizetti’s comic jewel sparkles with the polish of four highly talented, perfectly cast singers.
Opera Australia: Tosca review [Melbourne]
An ingenious concept, lavish scenery and superlative singing make for a highly memorable night of grand opera as Tosca reclaims its place as a jewel of the Opera Australia repertoire. ***Click HERE […]
Gertrude Opera: The Magic Flute
Stripped back to a sprightly 80 minutes, The Magic Flute more than holds its own as a diverting and charming piece of entertainment.
Lyric Opera of Melbourne: Werther review
In their most ambitious presentation to date, Lyric Opera of Melbourne treats local audiences to the all-too-rarely-seen Werther.
Joan Sutherland & Richard Bonynge Foundation: Rodelinda review
Melbourne’s opera cognoscenti breathed the rarified air of Melbourne Recital Centre for a gala concert of sublime quality last night.
Victorian Opera: The Play of Herod review
Victorian Opera completes their eclectic 2014 season with yet another unique event that adds to the rich cultural life of Melbourne.
Victorian Opera: The Riders review
Victorian Opera has thrown the full weight of their resources behind this world premiere to create a unique and mesmerizing musical experience.
Melbourne Opera: The Pearl Fishers review
Melbourne Opera capitalizes on the perpetual popularity of Bizet’s The Pearl Fishers with a crowd-pleasing new production.
Man in Chair 