A stunning new large-scale production, 42nd Street deservedly enjoyed a sold out season at Théâtre du Châtelet.
42nd Street review [Paris 2017]
School of Rock review [London 2017]
As big a hit now on the West End as on Broadway, School of Rock has cemented its place as Lord Andrew Lloyd Webber’s return to the top.
Menier Chocolate Factory: She Loves Me review
For their popular annual winter musical, Menier Chocolate Factory serves up a delectable chocolate box of melodies with Golden Age romantic musical comedy She Loves Me.
Lazarus review [London 2017]
Surreal and deliberately inscrutable, production and performance of the David Bowie musical Lazarus respects and subtly celebrates the great artist’s talent and legacy.
Matthew Bourne’s The Red Shoes review
Dazzling and affecting in equal measure, Matthew Bourne’s new work The Red Shoes is as superbly realised as it is ingeniously conceived.
The Royal Ballet: The Sleeping Beauty review
Commemorating 70 years since Sadlers Wells Ballet moved across town to reopen Royal Opera House after WWII, The Royal Ballet’s The Sleeping Beauty remains a traditional, highly decorative production with an agreeable […]
The Australian Ballet: Storytime Ballet: The Nutcracker review
The Australian Ballet’s Storytime Ballet series continues with a perfectly judged children’s version of seasonal favourite The Nutcracker.
The Australian Ballet School: The Snow Queen review
A perfect showcase for the talents of the students of The Australian Ballet School, beautifully produced ballet The Snow Queen is wonderful holiday entertainment.
Vic Theatre Company: The Gathering review
A tremendously talented young cast and well-realised direction allow original Australian musical The Gathering to be seen in its best possible light.
Opera Australia: Götterdämmerung review [Melbourne Ring Cycle 2016]
In an electric performance of Götterdämmerung, the mighty Melbourne Ring Cycle concludes as it began, with glorious singing, meticulous direction and innovative staging.
Man in Chair 