There must be a blue moon in the night sky, for how else to explain an appearance by the rarest of Stephen Sondheim musicals, Pacific Overtures?
Pacific Overtures review
MTC: Private Lives review
Sumptuous production values and splendid direction distinguish this classic offering, its quality boding well for the MTC new year.
Diamonds are for Trevor review
There is nothing like a dame performed by irrepressible talent Trevor Ashley, and what a grand Dame he gives us in Diamonds are for Trevor. With a stellar big band to match […]
Paris Opera: Werther review
What better opera to see in Paris than this most French of operas, starring France’s favourite opera son. This season premiere is distinguished by excellent singing, fine orchestral playing and a suitably […]
The Royal Ballet: Giselle review
Secretive suitors and supernatural specters tinge the pure, romantic love story at the heart of perennial ballet favourite Giselle. Peter Wright’s lovingly traditional production remains a jewel in the crown of the […]
Charlie and The Chocolate Factory The New Musical review
A beloved childhood novel, movie and movie remake, the blue chip property Charlie and the Chocolate Factory finally makes it to the music theatre stage. Housebound and bogged in exposition through act […]
English National Ballet: Le Corsaire
Le Corsaire is a traditional full-length ballet that is light on storytelling, allowing plenty of scope for a multitude of featured dances, and set in an exotic locale, giving the opportunity for […]
Putting it Together 2014 review
Art isn’t easy. This well constructed revue of Stephen Sondheim gems is a pleasure to hear, but suffers from a dismally slight production and an unevenly matched cast.
The Royal Opera: Manon review
Massenet’s lush, romantic setting of the time-honoured French tale of Manon is given a lavish treatment in this sumptuous yet stylish production. The journey of impetuous anti-heroine Manon from rags to riches […]
The Bodyguard musical review
Another flashy West End crowd pleaser, The Bodyguard demonstrates the fact that London music theatre does not have the award-focused obsession that Broadway does when creating new works. There Is nothing like […]
Man in Chair 