Slick, streamlined and spirited, Dreamgirls is a hit all over again in its first ever West End outing. High production values and excellent direction mean the show could open on Broadway tomorrow […]
English National Ballet: Giselle review
Equal parts charmingly festive, dreamily romantic, eerily haunting and tenderly moving, Mary Skeaping’s Giselle provides English National Ballet with a pristine showcase for the beauty of dance.
Half A Sixpence review
Brimming with lively energy and infectious charm, classic musical Half A Sixpence benefits mightily from the Cameron Mackintosh reinvention treatment.
School of Rock review [London 2017]
As big a hit now on the West End as on Broadway, School of Rock has cemented its place as Lord Andrew Lloyd Webber’s return to the top.
Menier Chocolate Factory: She Loves Me review
For their popular annual winter musical, Menier Chocolate Factory serves up a delectable chocolate box of melodies with Golden Age romantic musical comedy She Loves Me.
Lazarus review [London 2017]
Surreal and deliberately inscrutable, production and performance of the David Bowie musical Lazarus respects and subtly celebrates the great artist’s talent and legacy.
Matthew Bourne’s The Red Shoes review
Dazzling and affecting in equal measure, Matthew Bourne’s new work The Red Shoes is as superbly realised as it is ingeniously conceived.
The Royal Ballet: The Sleeping Beauty review
Commemorating 70 years since Sadlers Wells Ballet moved across town to reopen Royal Opera House after WWII, The Royal Ballet’s The Sleeping Beauty remains a traditional, highly decorative production with an agreeable […]
In The Heights review [London 2016]
While music theatre fans across the globe wait to have the chance to see Hamilton, we still have the zesty, heartfelt pleasure of In The Heights to enjoy.
New Adventures: Matthew Bourne’s Sleeping Beauty review
The final performance of the current London season sees Matthew Bourne’s Sleeping Beauty in excellent shape for its coming UK and world tour.