John Foreman’s Australian Pops Orchestra provides luxurious accompaniment as Rob Mills, Paulini, and Casey Donovan are collectively celebrated as The Idols of Musical Theatre.
John Foreman’s Australian Pops Orchestra: The Idols of Musical Theatre review
OSMaD: Come From Away review
The compassion and generosity of Gander shine again as OSMaD presents a cleverly conceived, emotionally resonant new production of Come From Away.
Paddington the Musical review
The gods of musical theatre have certainly looked after this bear. Filled with whimsy and wonder, Paddington the Musical is lovingly and lavishly produced.
Disney: Hercules review [West End 2025]
Lavishly produced like a true more-is-more Disney dazzler, Hercules definitely goes the distance but would be far easier to follow if most of the actors were not trying to be louder than […]
Just For One Day review [London 2025]
An electric jukebox musical with immense heart, Just For One Day celebrates the fortieth anniversary of legendary world rock event Live Aid, underpinning the sensational music with sobering pathos.
Hair review [Melbourne 2025]
Good Morning Starshine! Iconic rock musical Hair radiates its message of freedom, love, and self expression in this very welcome, lovingly produced revival.
CLOC Musical Theatre: & Juliet review
Hit jukebox musical & Juliet roars onto the amateur theatre stage in spectacular style.
The Lucky Country review [Melbourne 2025]
The arrival of a new Australian musical is always an event to be celebrated, even more so when the musical is as unique and joyful as Vidya Makan revuesical The Lucky Country.
The Australian Ballet: Manon review [Melbourne 2025]
Making a welcome return to the Melbourne stage after more than ten years, romantic Kenneth MacMillan drama Manon showcases the brightly polished gifts of a new generation of dancers.
The Australian Ballet: Prism review
Simple design provides a clear and unfettered focus on sensational dance as The Australian Ballet premieres new triple bill Prism.
Man in Chair 