Insightful direction and splendid performances balance the magnificent with the moving as musical theatre workhorse Les Misérables lives on for one day more.
OSMaD: Les Misérables review
Melbourne Opera: Otello review
Rossini’s dramatic opera Otello makes its long overdue Australian premiere thanks to the vision and drive of Melbourne Opera, a company exhibiting an increasingly strong flair for bel canto opera.
StageArt: Nine the Musical review
One of Broadway’s most rapturously beautiful scores, Nine the Musical is given a smartly conceived, darkly burnished boutique production by prolific Melbourne company StageArt. While the midlife breakdown of a once-successful Italian […]
CLOC Musical Theatre: Jekyll and Hyde the Musical review
Mark Doran gives a thrilling, world-class performance in the title roles as CLOC Musical Theatre successfully trades the melodramatic for the macabre in this revival of their 2005 production of Jekyll and […]
Victorian Opera: Pelléas and Mélisande review
In a gift to opera lovers of Melbourne, Victorian Opera presents a dream cast in a dreamy production of exquisite French opera Pelléas and Mélisande.
Queensland Ballet: A Midsummer Night’s Dream review
Queensland Ballet makes a triumphant Melbourne debut of their utterly charming 2016 production A Midsummer Night’s Dream.
Melbourne Theatre Company: The Architect review
It probably sounds a little odd to describe a play that tackles the issue of euthanasia as entertaining, but in Melbourne Theatre Company’s world premiere of The Architect, playwright Aidan Fennessy replaces […]
Colossus review
Exemplifying the fine control needed to portray dazzling chaos, Colossus is a mesmerising new work from visionary choreographer Stephanie Lake.
Victorian College of the Arts Secondary School: Romeo and Juliet review
Victorian College of the Arts Secondary School presented a full program of lively, varied, polished dance, reflecting a deep talent pool within their student body.
The Australian Ballet: Spartacus review
Brilliantly conceived and expertly realised, The Australian Ballet’s world class new production of Spartacus is an artistic and physical triumph.
