Splendid music is the clear highlight of an unusual and indulgent staging of Tchaikovsky opera The Queen of Spades, the central concept of which wears thin very quickly.
The Royal Ballet combines a contrasting pairs of works to create a well rounded mixed program with Asphodel Meadows / The Two Pigeons.
Succinctly written and brilliantly performed, musical drama Caroline, or Change packs a powerful message.
Streamlined staging and a strong ensemble cast allow Andrew Lloyd Webber’s Aspects of Love to be seen in a favourable light.
It is hard to begrudge the near annual presence of The Royal Opera’s workhorse production of La Traviata when it is lovingly re-staged and splendidly cast as this 2019 opening night performance.
Full of feathers and factoids, hit songs and head dresses, The Cher Show is diverting, if not particularly enlightening, entertainment.
Radical editing and canny creativity have distilled the essence of Merrily We Roll Along, resulting in a slick, involving, densely melodic piece of musical theatre.
A towering achievement, To Kill A Mockingbird comforts with nostalgic charm and crackles with potent relevance, the deft combination of which makes for an unforgettable night at the theatre.
The tempestuous power of Verdi’s magnificent tragedy Otello made for a memorable night at the Met, all the more so with the breakout performance of a substituted singer.
On paper, the blue chip title, solid production values and enthusiastic young cast should be enough to make Clueless the Musical a hit, yet the new off-Broadway musical is missing the ever […]