Visiting superstars, theatre renovations, a maestro exposed and the untimely death of a beloved international baritone dominate the 2017 year of opera.
Opera Year in Review 2017
Music Theatre Year in Review 2017
The boutique musical boom went off the boil in 2017, while on the professional scene, Melbourne’s East End was dominated by one man: Casey Nicholaw.
The Australian Ballet School: Coppélia review
The mysterious Dr Coppelius may be far more sinister than jolly old Santa Claus, but his status as a toy-maker means he is a welcome visitor in the festive season. The Australian Ballet […]
MTC: Vivid White review
A satire about satire, new Eddie Perfect musical Vivid White is as surprising as it is amusing, as familiar as it is shocking, and as polarising as it is entertaining.
The Last Five Years review
A new collective of committed artists breathes fresh life into independent musical theatre favourite The Last Five Years with an immersive, music-centric production.
Muriel’s Wedding the Musical review
The long awaited Great Australian Musical has finally arrived. By turns hilarious and heart-rending, Muriel’s Wedding the Musical is as meticulously crafted and brilliantly performed as the best that Broadway has to […]
Opera Australia: The Merry Widow review
Merrier than ever, The Merry Widow returns in a decadent new production.
Melbourne Opera: Roberto Devereux review
In yet another triumph, Melbourne Opera not only presents a superb evening of bel canto opera, but also corrects a long-standing arts omission by staging the Australian premiere of Donizetti’s Roberto Devereux.
The Production Company: Brigadoon review
An intelligent update and a terrific cast make Brigadoon an immensely satisfying offering from The Production Company.
CLOC Musical Theatre: A Chorus Line review
CLOC Musical Theatre revives seminal Broadway classic A Chorus Line in a production that neatly balances a fresh interpretation with respectfully traditional elements.
Man in Chair 