Tracing the key moments in a pair of relationships, 2009 off-Broadway musical Ordinary Days furtively engages audience interest and affection in its four characters, illustrating the beauty to be found in the […]
Pursued by Bear: Ordinary Days review
Pursued by Bear: 21 Chump Street review
Zipping by in an incredibly brisk 15 minutes, not a note nor a word is wasted in 21 Chump Street, an astonishing example of economical writing.
The Australian Ballet: Nutcracker – The Story of Clara review
Graeme Murphy’s Nutcracker does far more than tell The Story of Clara, celebrating the backstory of vision, passion and talent that formed the bedrock for our modern, 55-years-young company The Australian Ballet.
The Production Company: Hello, Dolly! review
Look at the old girl now, fellas. Mrs Dolly Levi, born Gallagher, is back on the Melbourne stage in a glossy, if somewhat scaled down, production of Golden Age classic Hello, Dolly!.
StageArt: Spring Awakening review
StageArt breaks Melbourne’s 2017 boutique musical drought with an absolute gem that has been well worth the wait.
My Fair Lady review [Melbourne 2017]
One of Melbourne’s all-time favourite musicals, My Fair Lady returns in a sumptuous, sparkling production that meticulously recreates the original Broadway staging.
CLOC Musical Theatre: Les Misérables review
Twenty-four years after presenting the hugely successful Victorian non-professional premiere of Les Misérables, CLOC Musical Theatre and director Chris Bradtke reunite to spend One Day More on the barricade.
Opera Australia: Cavalleria Rusticana – Pagliacci review [Melbourne 2017]
Insightful direction adds layers of dramatic depth to this splendid production of classic opera double bill Cavalleria Rusticana and Pagliacci.
Victorian Opera: La Sonnambula review
Proving that lightning can indeed strike the same place twice, Victorian Opera’s concert presentation of La Sonnambula was another unforgettable evening of bel canto brilliance showcasing superstar soprano Jessica Pratt.
Opera Australia: Carmen review [Melbourne 2017]
Emotionally sharp, gorgeously sung and spectacular to behold, Opera Australia’s new Carmen is a production to be treasured.
Man in Chair 