In a ravishing display of the depth of her extraordinary talent, American soprano Latonia Moore outshines camels, fireworks and dancing girls to walk away with the fourth annual Handa Opera on Sydney […]
Handa Opera on Sydney Harbour: Aida review
Walking with Dinosaurs – The Arena Spectacular review
A critic-proof show if there was one, all that remains for a reviewer to do is point out that Walking with Dinosaurs – The Arena Spectacular is back and then let the […]
The Importance of Being Miriam review
The Importance of Being Miriam is a candid, frequently hilarious and often touching journey through both a charmed career and the literary treasures of great authors.
MSO: The Damnation of Faust review
MSO presents a lustrous performance of Berlioz’s The Damnation of Faust, in which the superb orchestra, soloists and choirs create a whole that is greater than the not inconsiderable sum of its […]
MSO: Bryn Terfel and Lisa McCune sing Broadway Classics review
MSO hosted a wonderful stroll down music theatre memory lane with a highly talented assemblage of musicians.
Lyric Opera of Melbourne: Spanish Time and Gianni Schicchi review
Lyric Opera of Melbourne’s comic double bill does not quite achieve the polish of previous presentations, but in some ways that is a deliberate choice.
The Australian Ballet: Giselle review
Lovingly restored to full glory, Maina Gielgud’s 1986 production of Giselle returns to its place as one of the most treasured jewels in The Australian Ballet’s repertoire.
Dirty Dancing review [Melbourne]
Blue chip title Dirty Dancing twirls back into town in a production that is surely resistant to help or hindrance from this, or any other, reviewer.
Blood Brothers review [Hayes Theatre]
Willy Russell’s classic musical packs considerable punch when presented as an understated, softly spoken drama.
STC: Suddenly Last Summer review
Loved the play, hated the concept.
Man in Chair 