In a nicely balanced, highly entertaining double bill, The Royal Ballet presents Rhapsody and The Two Pigeons, two gems from the treasured catalogue of works from Frederick Ashton.
The Royal Ballet: Rhapsody / The Two Pigeons review
Donmar Warehouse: Les Liaisons Dangereuses review
Christopher Hampton’s ever-intriguing play Les Liaisons Dangereuses is given a classy revival at the Donmar Warehouse, where the intimacy of the tiny auditorium immerses the audience in the great salons of 18th […]
Paris Opera: Werther [2016]
In a dream pairing, Piotr Beczala and Elīna Garanča deliver magnificent performances in this meticulously directed revival of Werther at Paris Opera.
Guys and Dolls [London 2016]
Spectacular dancing enlivens evergreen chestnut Guys and Dolls in this solid new production.
La Scala: Rigoletto review
Gilbert Deflo’s production of Verdi favourite Rigoletto raises the piece to the grandest operatic scale. Thankfully, the singers are easily as spectacular as the soaring scenery.
Grey Gardens review [London 2016]
Showcasing two of the finest stage actresses, Grey Gardens finally comes to London in this impressively staged production.
Funny Girl review [London 2016]
Fanny Brice may sing the song but it is Sheridan Smith who is the greatest star, leading a long overdue, sassy revival of Broadway classic Funny Girl.
Royal Opera: Tosca review [2016]
Blessed with three excellent lead singers, this revival of Jonathan Kent’s 2006 production lands all the thrills of Puccini’s magnificent classic.
Bend It Like Beckham The Musical review
What appears, at first glance, an unusual choice for a musical proves a joyous celebration of culture, identity and acceptance.
Fiddler on the Roof review [Melbourne 2016]
This lovingly staged, if rather safe, new production of perennial classic Fiddler on the Roof is anchored by a sterling performance from Australia’s unchallenged Leading Man of the stage, Anthony Warlow.
