The compassion and generosity of Gander shine again as OSMaD presents a cleverly conceived, emotionally resonant new production of Come From Away.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
The compassion and generosity of Gander shine again as OSMaD presents a cleverly conceived, emotionally resonant new production of Come From Away.
The gods of musical theatre have certainly looked after this bear. Filled with whimsy and wonder, Paddington the Musical is lovingly and lavishly produced.
Lavishly produced like a true more-is-more Disney dazzler, Hercules definitely goes the distance but would be far easier to follow if most of the actors were not trying to be louder than […]
An electric jukebox musical with immense heart, Just For One Day celebrates the fortieth anniversary of legendary world rock event Live Aid, underpinning the sensational music with sobering pathos.
Good Morning Starshine! Iconic rock musical Hair radiates its message of freedom, love, and self expression in this very welcome, lovingly produced revival.
Hit jukebox musical & Juliet roars onto the amateur theatre stage in spectacular style.
The arrival of a new Australian musical is always an event to be celebrated, even more so when the musical is as unique and joyful as Vidya Makan revuesical The Lucky Country.
Making a welcome return to the Melbourne stage after more than ten years, romantic Kenneth MacMillan drama Manon showcases the brightly polished gifts of a new generation of dancers.
Simple design provides a clear and unfettered focus on sensational dance as The Australian Ballet premieres new triple bill Prism.
The sterling musicianship of Melbourne Symphony Orchestra is boosted by the real emotion and heart provided by vocalists Josh Piterman and Amy Manford, elevating the lovingly curated program for An Evening On […]