Lovingly and lavishly crafted, the stage version of fantastical musical theatre parody Schmigadoon arrives on Broadway in pristine form.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Lovingly and lavishly crafted, the stage version of fantastical musical theatre parody Schmigadoon arrives on Broadway in pristine form.
The world’s favourite adult pantomime returns to Broadway in a splashy, starry new revival.
Spectacular staging is a clear highlight of The Lost Boys, diverting attention from the rather dreary rock score.
A terrific score in the classic Broadway style distinguishes new musical Beaches, a screen-to-stage adaptation happily heaving with heart and humour.
In an extraordinarily synergistic match of concept and material, Cats: The Jellicle Ball explodes with giddy energy and fiery passion.
A towering achievement, the timely second revival of Ragtime sees the beloved musical emerge as the white hot hit it was always destined to be.
An inspired comic musical, also a juke box musical jam-packed with Céline Dion hits, Titanique continues the all too fabulous laugh parade on Broadway in a brightly polished upscaled staging.
The electrifying first Broadway revival of Chess thrills with its starry cast and a new book that brings real stakes and much needed humour to its gloriously melodious score.
Lavishly produced and beautifully choreographed, The Great Gatsby roars to life as a thoroughly entertaining ballet.
Blossoming from the fruitful collaboration between The Australian Ballet and Bangarra Dance Theatre, Flora makes its world premiere as a living work of art.