In a towering achievement, Victorian Opera lavishes high production values, sumptuous orchestra, and a peerless cast on revered Stephen Sondheim musical Follies.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
In a towering achievement, Victorian Opera lavishes high production values, sumptuous orchestra, and a peerless cast on revered Stephen Sondheim musical Follies.
Beloved Liverpudlian housewife Shirley Valentine roars back to life in an expertly realised, deeply touching solo performance from Natalie Bassingthwaighte.
John Foreman’s Australian Pops Orchestra blends traditional New Year’s Eve favourites with a generous serving of musical theatre and pop hits for a thrilling presentation of their annual New Year’s Eve & […]
Even when the dark comes crashing through When you need a friend to carry you And when you’re broken on the ground You will be found
A clever idea for a show and a perfectly timed Christmas presentation, sporadically funny new musical Love Actually? The Musical Parody falls short of its blue chip potential.
In the gorgeous setting of the Rose Garden at St Kilda Botanical Gardens, Melbourne Shakespeare Company delights with the merry mayhem of Twelfth Night.
Creative direction and vibrant performances breathe abundant life into altogether ooky musical The Addams Family.
Now a celebrated annual tradition, A Christmas Carol returns to bring festive joy to all but the hardest “Bah, humbug!” hearts.
Showcased by an elite cast of the best possible draft picks, new Australian musical One Day in September breaks out from the pack in a confidently presented, all too brief Development Season.
Decadently thrillifying in every possible regard, eagerly awaited movie Wicked: Part One faithfully serves the stage musical’s legion fans while ingeniously expanding its universe with dazzling creativity.