Brimming with lively energy and infectious charm, classic musical Half A Sixpence benefits mightily from the Cameron Mackintosh reinvention treatment.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Brimming with lively energy and infectious charm, classic musical Half A Sixpence benefits mightily from the Cameron Mackintosh reinvention treatment.
A stunning new large-scale production, 42nd Street deservedly enjoyed a sold out season at Théâtre du Châtelet.
As big a hit now on the West End as on Broadway, School of Rock has cemented its place as Lord Andrew Lloyd Webber’s return to the top.
For their popular annual winter musical, Menier Chocolate Factory serves up a delectable chocolate box of melodies with Golden Age romantic musical comedy She Loves Me.
Surreal and deliberately inscrutable, production and performance of the David Bowie musical Lazarus respects and subtly celebrates the great artist’s talent and legacy.
Dazzling and affecting in equal measure, Matthew Bourne’s new work The Red Shoes is as superbly realised as it is ingeniously conceived.
Commemorating 70 years since Sadlers Wells Ballet moved across town to reopen Royal Opera House after WWII, The Royal Ballet’s The Sleeping Beauty remains a traditional, highly decorative production with an agreeable […]
The mighty Melbourne Ring Cycle dominated the 2016 year of opera, with an entertaining assortment of productions seen throughout the preceding months.
Australian audiences’ love affair with music theatre continued apace in 2016, with at least eight new Australian musicals playing alongside the glossy commercial productions and the exciting independent premieres.
The Australian Ballet’s Storytime Ballet series continues with a perfectly judged children’s version of seasonal favourite The Nutcracker.