Defying classification, The Rabbits blends opera, music theatre, and gentle pop music in a finely crafted theatrical experience.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Defying classification, The Rabbits blends opera, music theatre, and gentle pop music in a finely crafted theatrical experience.
A perfect fit to the musical comedy genre that has served them so well, CLOC Musical Theatre’s production of The Drowsy Chaperone lives up to the expected standard of high production values […]
Demonstrating yet again their absolute commitment to both new works and young singers, Victorian Opera presents the world premiere of the delightful new opera The Grumpiest Boy in the World.
The original spirituality, raw talent and Irish charm of Riverdance are all but lost in this flashy, simplistic, clichéd presentation.
Brimming with rapturous Puccini-esque music and sung by a wonderfully well-matched cast of five, Lyric Opera of Melbourne’s hand-polished production of long lost Melbourne opera Stella is a gem.
The Australian Ballet boasts a carefully curated collection of classical and contemporary dance works in its eagerly anticipated season 2016. Returning full-length favourites and innovative mixed programs will be joined by a […]
A pair of high quality performances anchors a lovingly staged boutique presentation of Andrew Lippa and Tom Greenwald’s 1995 musical John & Jen.
Lavish production values and wonderful dance combine for a world class, highly traditional new staging of evergreen classic The Sleeping Beauty.
A terrific cast, strong production values and lashings of real heart set Mother, Wife and the Complicated Life apart from similar “girls night out” revuesicals.
In a highly artistic program of great integrity, Renée Fleming and Melbourne Symphony Orchestra present a thoughtfully curated program of musical treasures, eschewing the chocolate box greatest hit parade that is surely […]