
An air of quality and majesty hangs over this splendid revival of Opera Australia’s 2003 production of Otello.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
An air of quality and majesty hangs over this splendid revival of Opera Australia’s 2003 production of Otello.
Superlative singing distinguishes the Sydney premiere season of a polished glossy new production of this perennial Verdi favourite.
Do you see the people spin? Not any more, in this epic restaging of the world’s favourite musical. Without the famous turntable, the student uprising is now the only “revolution.”
Time to hear the people sing. After almost nine months of anticipation, following the classy cast announcement event all the way back in October 2013, the beloved musical is finally ready for […]
Seminal modern classic Rent is given a layered, energetic production by up-and-coming community theatre company CenterStage Geelong.
Wickedly funny musical Ruthless! is the irresistible chance to see a bevy of brilliant actresses in an intimate setting.
Impossibly spectacular, Strictly Ballroom the Musical is a lavish, eye-popping extravaganza with a heartfelt story at its core.
On the eve of his biggest stage role to date, multi-talented young music theatre performer Euan Doidge has released a classy, emotionally charged album of handpicked millennial musical tracks.
A pair of classical treasures, Ballet Imperial and Suite en Blanc make a neatly balanced midyear complement to the streamlined modern dance of Chroma. With nary a trace of narrative or character, […]
Melbourne audiences finally have the opportunity to experience Bodytorque as The Australian Ballet presents an evening of brand new choreography.