Instrumental and vocal performances of the very highest calibre help to compensate for the complete lack of costumes and sets in this glorified concert presentation of Sunset Boulevard Sunset Blvd..
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Instrumental and vocal performances of the very highest calibre help to compensate for the complete lack of costumes and sets in this glorified concert presentation of Sunset Boulevard Sunset Blvd..
A stage musical version of The Outsiders may sound like a daffy gag from an episode of The Simpsons but the result is actually a dazzling, thrilling, and moving achievement.
Vividly justifying the very invention of musical theatre, Ragtime returns to New York City in a superbly cast, meticulously directed production that celebrates social progress whilst championing further gains.
Tonally fluid and breezily superficial, new Elton John musical Tammy Faye gamely attempts to capture and recreate the spellbinding powers of televangelists Jim and Tammy Faye Bakker.
Studded with hit songs and telling a truly inspiring story, hit bio-musical Tina, The Tina Turner Musical finally plays Melbourne, arriving in peak form.
Diametrically different, the paired works of The Australian Ballet double bill Études / Circle Electric are comparable in scale yet worlds apart in choreographic vocabulary, providing the broadest possible spectrum of dance […]
As nimble and charming a theatrical entertainment as one might hope to enjoy, Pride and Prejudice – an Adaptation in Words and Music enhances a staged reading of Jane Austen’s classic novel […]
Packing a terrific one-two punch, the Melbourne Opera Puccini Gala pairs a heavenly concert performance of one-act tragedy Suor Angelica with a set of splendid Puccini selections.
A grand concert staging heralds the world premiere of new Australian work Quasimodo the Musical, with a full complement of soloists, choir, and orchestra allowing the score to be heard at its […]
Commemorating the centenary of Puccini’s death in grand style, Melbourne Opera begins its Puccini Anniversary Season with a handsome new production of immortal classic La Bohème.