Who knew that Jason Robert Brown, king of the introspective power ballad, had such a splashy, dishy, old-fashioned musical comedy like Honeymoon in Vegas in him?
Honeymoon in Vegas review [Broadway]
Simon Parris
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Papermill Playhouse: The Hunchback of Notre Dame review
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An American in Paris review [Broadway]
A truly thrilling new work of high class and polish, An American in Paris is the rare new musical aimed mostly at a discerning adult audience.
Met Opera: Ernani review [2015]
Placido Domingo and James Levine, a pair of sentimental favourites and masterful talents, draw much audience affection at Met Opera’s revival of Ernani.
Met Opera: Don Carlo review [2015]
Five superb lead singers distinguish Met Opera’s revival of the 2010 co-production of Verdi’s epic drama Don Carlo.
On The Twentieth Century review [Broadway 2015]
All aboard for a generous slice of music theatre heaven as Roundabout Theatre Company revive decedent backstage musical On The Twentieth Century.
On The Town review [Broadway 2015]
Already a helluva show, this vivid, technicolor revival makes On The Town the sprightliest 71-year-old on the block.
Handa Opera on Sydney Harbour: Aida review
In a ravishing display of the depth of her extraordinary talent, American soprano Latonia Moore outshines camels, fireworks and dancing girls to walk away with the fourth annual Handa Opera on Sydney […]
Walking with Dinosaurs – The Arena Spectacular review
A critic-proof show if there was one, all that remains for a reviewer to do is point out that Walking with Dinosaurs – The Arena Spectacular is back and then let the […]
The Importance of Being Miriam review
The Importance of Being Miriam is a candid, frequently hilarious and often touching journey through both a charmed career and the literary treasures of great authors.
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