Rapturously beautiful music flows throughout this new, almost chamber-sized musical. The gently paced, very adult romance is absorbing, and leads to a poignantly affecting conclusion.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Rapturously beautiful music flows throughout this new, almost chamber-sized musical. The gently paced, very adult romance is absorbing, and leads to a poignantly affecting conclusion.
Off-Broadway gets in on the movie adaptation act with this lively, technicolor musical that opened on 31 March, 25 years to the day since the cult classic opened in cinemas. The blacker-than-pitch […]
Utterly charming in concept, form and execution, the originality of A Gentleman’s Guide to Love and Murder is a breath of fresh air in the modern-day miasma of movie-musicals.Nifty performances, snazzy design […]
Rocky could have been a contender. Blue chip title, beloved song writing team, high production values, legendary Broadway house. The final twenty or so minutes are quite exhilarating, but they come too […]
Seldom seen in this time of corporate-driven, franchise-ready productions, the star vehicle makes a well-deserved return for Idina Menzel, worshipped and idolized star of music theatre stage, concert hall stage, small screen, […]
A riot of vivid colour and constant movement, Aladdin is pure, sit-back-and-enjoy-it, see-every-cent-of-your-ticket-price-on-stage entertainment. Throw in a melodic score, laugh-out-loud book and terrific performances, and you have the makings of a well-deserved […]
Of all the chocolate box operas, La Bohème is the box of Cadbury favourites: familiar, well-loved, and oh so delicious. Almost all of the Zeffirelli productions have disappeared from the Met but […]
Anthony Minghella’s treasured staging makes a welcome return to the Met, providing an ideal star vehicle for fast-rising young Latvian soprano Kristine Opolais.
Opera companies do it all the time, so why not theatre companies? Roundabout presents a welcome revival of their acclaimed 1998 revival of Kander and Ebb’s Cabaret. Same designs, same theatre, same […]
Glorious singing from three well-matched leads characterised this otherwise somewhat uninspiring presentation of Umberto Giordano’s verismo potboiler Andrea Chénier.