Met Opera’s stunning production for their premiere season of Roberto Devereux boasts four world-class singers in the leading roles.
Met Opera: Roberto Devereux review
Dear Evan Hansen review
Timely staging, well judged writing and powerful performances distinguish brand new teen spirit musical Dear Evan Hansen.
She Loves Me review [Broadway 2016]
Utterly charming and splendidly cast, Roundabout Theatre Company’s revival of She Loves Me exemplifies the very reason music theatre fans flock to Broadway.
Met Opera: L’Elisir d’Amore review
The bel canto pleasure of L’Elisir d’Amore is significantly enhanced by electric chemistry between its romantic leads.
The Robber Bridegroom review
Streamlined to a single act, Roundabout’s new off-Broadway production of 1970s Broadway musical The Robber Bridegroom is 90 effervescent minutes of unabashed fun.
Fiddler on the Roof review [Broadway 2016]
The new Broadway revival of revered masterwork Fiddler on the Roof benefits from the insight, imagination and artistry of acclaimed director Bartlett Sher and his proven creative team.
Matilda review [Melbourne 2016]
A clever show that is mightily enhanced by an equally smart, ingeniously realised production, Matilda is the music theatre smash hit Melbourne fans have been clamoring for while suffering through a seemingly […]
The Australian Ballet: Vitesse review
Commencing its 2016 Melbourne season in top form, The Australian Ballet continues its recent trend of exciting modern dance programs with Vitesse.
Violet review [Melbourne]
The quality of Violet exemplifies the ever-rising standard of the thriving independent musical scene.
Taxithi review
Brimming with tender warmth, fiery passion, gentle humour and touching pathos, Taxithi is a moving celebration of the courageous Greek women who forged new lives in Australia in the 1950s and 60s.
Man in Chair 