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Spamalot review [Melbourne 2026]

By Simon Parris on September 20, 2026 • ( Leave a comment )

Soundworks Productions: Sweeney Todd review

By Simon Parris on September 13, 2026 • ( Leave a comment )

Melbourne Opera: Il Trovatore review

By Simon Parris on August 24, 2026 • ( 3 Comments )

A Beautiful Noise: The Neil Diamond Musical review [Melbourne]

By Simon Parris on August 9, 2026 • ( Leave a comment )

Six the Musical review [Melbourne 2026]

By Simon Parris on July 30, 2026 • ( Leave a comment )

Steel Magnolias review [Melbourne 2026]

By Simon Parris on July 29, 2026 • ( 2 Comments )

Opera Australia: Luisa Miller review [Melbourne 2016]

By Simon Parris on May 17, 2016 • ( 3 Comments )

A superb company of singers and a gleaming black and white staging bring an air of polished perfection to this Melbourne season of rarely-seem Verdi opera Luisa Miller.  

Singin’ in the Rain [Melbourne 2016]

By Simon Parris on May 15, 2016 • ( 3 Comments )

We may not have needed another revival of Singin’ in the Rain, but slick, glossy, intelligent productions of this scale are always a welcome sight. 

Heathers the Musical review [Melbourne 2016]

By Simon Parris on May 13, 2016 • ( 2 Comments )

A bevy of young and exciting talents whip the crowd into a frenzy in the welcome Melbourne premiere season of Heathers the Musical.  

Dogfight review [Melbourne]

By Simon Parris on May 9, 2016 • ( 2 Comments )

While the majority of commercial producers churn out safe revivals, the presentation of a challenging Victorian premiere falls, once again, to the independent theatre sector. Geelong-based company Doorstep Arts have taken the […]

Opera Australia: The Pearlfishers review [Melbourne]

By Simon Parris on May 8, 2016 • ( 4 Comments )

Bizet’s charming score has made The Pearlfishers a bit of an Australian favourite, but even the carefully considered direction of Michael Gow is not quite enough to sharpen the ill-conceived concept and […]

CLOC Musical Theatre: Wicked review

By Simon Parris on May 8, 2016 • ( 4 Comments )

Reigning masters of the non-professional premiere, CLOC Musical Theatre again works their magic, presenting a slick, spectacular, highly engaging production of über-hit Wicked.

Anna O’Byrne: Dream album review

By Simon Parris on May 6, 2016 • ( 2 Comments )

Talented singing actress Anna O’Byrne dazzles with the range and beauty of her crystalline soprano in her debut album Dream, an eclectic collection of gorgeous songs from movies.  

Little Shop of Horrors review [Melbourne 2016]

By Simon Parris on May 6, 2016 • ( 5 Comments )

The cult musical with the addictive mainstream score, Little Shop of Horrors is given as ingenious and well cast a production as fans could possibly to hope to see.  

Opera Australia: La Bohème review [Melbourne 2016]

By Simon Parris on May 4, 2016 • ( 10 Comments )

Evergreen world favourite La Bohème is always a popular choice, and when enhanced by the performances of such glorious singers it is easy to appreciate its enduring appeal.  

Tick, Tick… Boom! review

By Simon Parris on April 23, 2016 • ( 1 Comment )

The incredible lead performance from Luigi Lucente is just one reason to catch Pursued by Bear’s all too brief season of tick, tick…Boom!.

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Music Theatre »

Spamalot review [Melbourne 2026]

Soundworks Productions: Sweeney Todd review

A Beautiful Noise: The Neil Diamond Musical review [Melbourne]

Opera »

Melbourne Opera: Il Trovatore review

Melbourne Opera: Don Giovanni review [2026]

IOpera: The Turn of the Screw review

Dance »

The Australian Ballet: Romeo and Juliet review [Melbourne 2026]

BIG Live: The Great Gatsby ballet review

The Australian Ballet: Flora review

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Top Posts

  • Spamalot review [Melbourne 2026]
  • Soundworks Productions: Sweeney Todd review
  • A Beautiful Noise: The Neil Diamond Musical review [Melbourne]
  • Six the Musical review [Melbourne 2026]
  • The Australian Ballet: Oscar review
  • Opera Australia: Gilbert & Sullivan - A Musical Celebration review [Melbourne 2026]
  • Godspell review [Melbourne 2016]
  • The Australian Ballet: La Bayadère review

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