The Australian Ballet traverses from the twentieth to twenty-first century in this scintillating freestyle triple bill that anchors a company premiere and a world premiere with a treasured classic.
A second opportunity arose to see Alexei Ratmansky’s Cinderella, a visit made all the sweeter by the surprise appearance of Madeleine Eastoe in the title role.
Having first dropped slipper in the Melbourne 2013 premiere, Alexei Ratmansky’s new staging of Cinderella confirms its status as an instant favourite of the repertory.
The Australian Ballet finds an ideal balance between classical story ballet and classical abstract ballet in this delightful evening of Frederick Ashton masterworks.
Lovingly restored to full glory, Maina Gielgud’s 1986 production of Giselle returns to its place as one of the most treasured jewels in The Australian Ballet’s repertoire.
The Australian Ballet unveiled their “Year of Beauty,” announcing their eagerly anticipated 2015 season.
While almost every ballet company in the world trots out its Nutcracker every year (as a fundraising drive of sorts), The Australian Ballet reserves their presentations of the immortal classic to be […]
A dazzling and thrilling new production, Stanton Welch’s La Bayadère is world-class entertainment that shows The Australian Ballet at its best.
A pair of classical treasures, Ballet Imperial and Suite en Blanc make a neatly balanced midyear complement to the streamlined modern dance of Chroma. With nary a trace of narrative or character, […]
Melbourne audiences finally have the opportunity to experience Bodytorque as The Australian Ballet presents an evening of brand new choreography.