Disney has clearly spent a fortune on white hot property Frozen the Broadway Musical, and yet the new musical is lukewarm at best.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Disney has clearly spent a fortune on white hot property Frozen the Broadway Musical, and yet the new musical is lukewarm at best.
So riotously colourful that it makes The Lion King look noir, SpongeBob SquarePants the Broadway Musical is a giddily gleeful confection of music and movement that rightfully takes its place as a […]
Gently understated and leisurely paced The Band’s Visit is the antithesis of the current Broadway musical, and is all the richer for it.
A guilty pleasure that leaves the audience on a giddy high, Mean Girls is set to be the next Broadway smash propelled by the box office power of teenaged girls.
Verdi’s Luisa Miller may be on lower rotation than many of his other works, but the casting of three operatic superstars presents the work in its very best light.
The jewel in the crown of Broadway’s golden age, My Fair Lady is masterfully revived by director Bartlett Sher and his dream team of collaborators.
Lynn Ahrens and Stephen Flaherty’s 1990 musical Once On This Island is back on Broadway in an immersive, in-the-round production that brims with warmth and invention.
It’s Sydney’s turn to discover the joys of In The Heights, and this electric new production is the ideal introduction.
Opera Australia neatly balances the spectacular with the intimate as the seventh season of firmly established opera attraction Handa Opera on Sydney Harbour turns its sights on one of the world’s most […]
A slick production, excellent direction and an incredibly talented cast elevate the material on offer as cult favourite Bare makes a return to the Melbourne stage.