Melbourne Opera continues their lavish presentation of Donizetti’s Tudor Trilogy with the Australian professional premiere of dramatically charged bel canto opera Anna Bolena.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Melbourne Opera continues their lavish presentation of Donizetti’s Tudor Trilogy with the Australian professional premiere of dramatically charged bel canto opera Anna Bolena.
Maury Yeston’s ravishing score for Nine the Musical was finally heard in Melbourne again last night in an impeccably staged concert with a superb cast.
Perfectly cast and handsomely staged, the Melbourne professional premiere of exquisitely romantic gem The Light in the Piazza shimmers with radiant beauty.
The quality of the original score does its best to shine through, but the wattage of this “reimagined” staging of Godspell is severely dimmed by condensed casting and muddy focus.
A dazzling production and terrific cast gloss over inherent weaknesses in Kinky Boots as the 2013 Broadway hit makes its Australian premiere.
StageArt raises the bar again as they present a superb cast and pristine staging for the long awaited Australian season of The Color Purple.
OSMaD takes audiences back to Broadway’s Golden Age, for a slick and glossy, yet respectfully traditional, new production of tuneful musical comedy The Pajama Game.
CLOC Musical Theatre revives Melbourne favourite Jesus Christ Superstar in an intense, imaginative, intelligent production.
Dream direction, dream music and dream casting align to make world premiere Australian musical Dream Lover a theatrical dream come true.
In their final presentation for the year, Victorian Opera stimulates the eyes as well as the ears with abstract 21st Century choral beauty Four Saints in Three Acts.