In an all too rare foray into twentieth century Russian opera, Opera Australia showcases a large local cast of shining talents in The Love for Three Oranges.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
In an all too rare foray into twentieth century Russian opera, Opera Australia showcases a large local cast of shining talents in The Love for Three Oranges.
Immaculately cast and splendidly produced by Sydney Theatre Company, Arthur Miller’s searing family drama All My Sons bears ongoing relevance.
Veteran stage director John Bell helms an emotionally taut new production of Carmen, contrasting the savage drama with the gaudy frivolity of everyday life. This premiere season is set apart by an […]
Covering a unique mix of opera, dance, music theatre, plays, live music and more, the 2016 Helpmann Nominations were announced this evening at performing arts venues around Australia. Read on for all […]
The Melbourne return of Stephen Baynes’ Swan Lake is distinguished by absolutely superb lead performances from two of The Australian Ballet’s most loved Principal Artists.
Glistening with hand polished sparkle, Lyric Opera’s colourful new staging of Rossini’s one-act comedy Il Signor Bruschino is a frothy delight.
A cherished favourite of many a music theatre fan, Jason Robert Brown’s Songs for a New World shimmers with intensity in this powerfully sung new staging by Blue Saint Productions.
Superb direction and electric performances makes this presentation of Follies in Concert far more than a rose-tinted trip down memory lane.
In an eagerly awaited boon for Melbourne theatregoers, Malthouse Theatre hosts Belvoir’s acclaimed 2014 staging of The Glass Menagerie. The meticulous production shows the riches to be uncovered in treating a classic […]
Perhaps it is the same everywhere, but The Sound of Music seems to have always held a special place in the hearts of Melbourne theatregoers. This polished production is set to continue […]