
A classy concert presentation with plenty of polish, Harvey Milk the Opera proves to be a timely, absorbing, affecting piece.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
A classy concert presentation with plenty of polish, Harvey Milk the Opera proves to be a timely, absorbing, affecting piece.
Taking the sort of bold leap seldom, if ever, seen from the national company in recent years, Melbourne Opera proves they have the resources, talent and audience support to successfully stage rarely […]
A concept that has all of the ingredients for a thrilling night falls surprisingly and disappointingly flat in this touring homage to king of pop Michael Jackson.
Divine performances from the lead dancers elevate an otherwise elegant but somewhat lackluster ballet.
As melodious as it is heartbreaking, Kander and Ebb’s The Scottsboro Boys is a brilliantly conceived combination of upbeat song and downbeat drama.
Prolific theatre director Jamie Lloyd presents an unrelenting, devilishly dark take on Stephen Sondheim and John Weidman’s revered, if troubled, musical fantasia of despair, dander and death.
A sure contender for one of the top musicals of all time, Miss Saigon steps out of the shadow of its older sibling to be seen as an acclaimed and adored masterwork […]
If someone that young and beautiful needs to travel up, up, up to the Heaviside Layer then I am afraid that there is no hope left for me.
An artistic and vocal triumph, Royal Opera’s brand new production of Andrea Chénier is distinguished by its current starry cast, but is sure to remain a cherished production in the long term […]
As much fun for the dancers and musicians as the audience, Carlos Acosta’s Don Quixote is like being present at one big opera house party.