Having already appeared in enough musicals to fill her debut album with career highlights, Patrice Tipoki shares the enormous breadth of her talent in the new release A Musical Heart.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Having already appeared in enough musicals to fill her debut album with career highlights, Patrice Tipoki shares the enormous breadth of her talent in the new release A Musical Heart.
Soaring sets and grand pageantry distinguish the Met’s Aida, a production that holds up strongly in repeat viewings.
The jewel in the crown of the current Broadway season, Rodgers and Hammerstein treasure The King and I gleams in a ravishing revival. The vision of esteemed director Bartlett Sher and team, […]
A triumph of great casting over moderate material, It Shoulda Been You is a breezy, old-fashioned comedy that is as pleasant as it is forgettable.
Frothy as the finest champagne and glittering like the most precious emerald, Gigi makes a welcome return to the Broadway stage.
From a source rich for musicalisation, epic historical romance Doctor Zhivago arrives on Broadway in the same sweeping, dramatically charged production that was seen in Australia.
Despite finding plenty to praise in Fun Home, I am afraid I am going to have to call Emperor’s New Clothes on this one. The uptown move of 2013 Off-Broadway darling Fun Home […]
Overflowing with heart, invention and wonder, new musical Finding Neverland is an artful, amusing and affecting night at the theatre.
Jam-packed with all the ingredients of a surefire smash hit, Something Rotten is funny without being unnecessarily smutty, and clever without being particularly original.
“I’m unkillable,” proclaims Claire Zachanassian, and her portrayer Chita Rivera might well make the same decree, as Kander and Ebb’s final musical The Visit makes its long-awaited visit to Broadway.