The Australian professional premiere of harrowing musical drama Parade is blessed with ingenious staging and compelling performances from its superb cast.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
The Australian professional premiere of harrowing musical drama Parade is blessed with ingenious staging and compelling performances from its superb cast.
Melbourne Opera capitalizes on the perpetual popularity of Bizet’s The Pearl Fishers with a crowd-pleasing new production.
The Australian Ballet unveiled their “Year of Beauty,” announcing their eagerly anticipated 2015 season.
Utterly charming in every regard, new musical Calvin Berger has warmth and wit to spare.
While almost every ballet company in the world trots out its Nutcracker every year (as a fundraising drive of sorts), The Australian Ballet reserves their presentations of the immortal classic to be […]
Ingeniously thought-provoking and grandly staged, The Last Confession brings a rare touch of glory to Melbourne’s Comedy Theatre.
A dazzling and thrilling new production, Stanton Welch’s La Bayadère is world-class entertainment that shows The Australian Ballet at its best.
Guest soprano Saioa Hernández delivered a powerhouse performance in this evening of glorious bel canto music.
The planets have aligned for an extraordinarily synergistic match of artist and material, as Maria Mercedes channels the very essence of Maria Callas in this riveting presentation of Terrence McNally’s play Master […]
Jerome Kern’s magnificent score is the highlight of this pared back presentation of enduring music theatre classic Show Boat.