Conceived as an emotional memory play, John Neumeier’s La Dame aux Camélias is a haunting exploration of the ephemeral nature of love.
Paris Opéra Ballet: La Dame aux camélias review
Paris Opéra Ballet: Cinderella review
Paris Opéra Ballet revived Rudolf Nureyev’s grand 1986 “Hollywood” Cinderella as part of the celebration to mark 80 years since the birth of Nureyev.
Opera and Ballet Year in Review 2018
Melbourne continues to enjoy a full and rewarding program of high-class opera, wondrous dance and high profile visiting artists.
The Australian Ballet: Storytime Ballet: Coppélia review
The Australian Ballet continues their cleverly conceived Storytime Ballet series with Coppélia, an ideal first ballet for young audiences.
The Australian Ballet School: La Sylphide & Other Works review
The Australian Ballet School ends their year with a selection of well-chosen highlights to accompany the welcome addition of La Sylphide to their repertoire.
Queensland Ballet: A Midsummer Night’s Dream review
Queensland Ballet makes a triumphant Melbourne debut of their utterly charming 2016 production A Midsummer Night’s Dream.
Colossus review
Exemplifying the fine control needed to portray dazzling chaos, Colossus is a mesmerising new work from visionary choreographer Stephanie Lake.
Victorian College of the Arts Secondary School: Romeo and Juliet review
Victorian College of the Arts Secondary School presented a full program of lively, varied, polished dance, reflecting a deep talent pool within their student body.
The Australian Ballet: Spartacus review
Brilliantly conceived and expertly realised, The Australian Ballet’s world class new production of Spartacus is an artistic and physical triumph.
The Australian Ballet School: Showcase 2018 review
The Australian Ballet School neatly balanced classical, modern and Spanish dance, along with a healthy dose of good humour, in their highly entertaining Showcase 2018.
