Commencing its 2016 Melbourne season in top form, The Australian Ballet continues its recent trend of exciting modern dance programs with Vitesse.
The Australian Ballet: Vitesse review
New Adventures: Matthew Bourne’s Sleeping Beauty review
The final performance of the current London season sees Matthew Bourne’s Sleeping Beauty in excellent shape for its coming UK and world tour.
The Royal Ballet: Rhapsody / The Two Pigeons review
In a nicely balanced, highly entertaining double bill, The Royal Ballet presents Rhapsody and The Two Pigeons, two gems from the treasured catalogue of works from Frederick Ashton.
Lord of the Dance: Dangerous Games review
The original spirituality, raw talent and Irish charm of Riverdance are all but lost in this flashy, simplistic, clichéd presentation.
The Australian Ballet Announces Season 2016
The Australian Ballet boasts a carefully curated collection of classical and contemporary dance works in its eagerly anticipated season 2016. Returning full-length favourites and innovative mixed programs will be joined by a […]
The Australian Ballet: The Sleeping Beauty review
Lavish production values and wonderful dance combine for a world class, highly traditional new staging of evergreen classic The Sleeping Beauty.
The Australian Ballet: 20:21 review
The Australian Ballet traverses from the twentieth to twenty-first century in this scintillating freestyle triple bill that anchors a company premiere and a world premiere with a treasured classic.
The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015]
A second opportunity arose to see Alexei Ratmansky’s Cinderella, a visit made all the sweeter by the surprise appearance of Madeleine Eastoe in the title role.
Helpmann Nominations 2015 Announced
Celebrating a unique mix of opera, dance, music theatre, plays, live music and more, the 2015 Helpmann Nominations were announced this evening at performing arts venues around Australia. The 2015 Helpmann Awards […]
The Australian Ballet: Alexei Ratmansky’s Cinderella review [2015]
Having first dropped slipper in the Melbourne 2013 premiere, Alexei Ratmansky’s new staging of Cinderella confirms its status as an instant favourite of the repertory.
