A critic-proof show if there was one, all that remains for a reviewer to do is point out that Walking with Dinosaurs – The Arena Spectacular is back and then let the […]
A critic-proof show if there was one, all that remains for a reviewer to do is point out that Walking with Dinosaurs – The Arena Spectacular is back and then let the […]
The Importance of Being Miriam is a candid, frequently hilarious and often touching journey through both a charmed career and the literary treasures of great authors.
MSO presents a lustrous performance of Berlioz’s The Damnation of Faust, in which the superb orchestra, soloists and choirs create a whole that is greater than the not inconsiderable sum of its […]
MSO hosted a wonderful stroll down music theatre memory lane with a highly talented assemblage of musicians.
Lyric Opera of Melbourne’s comic double bill does not quite achieve the polish of previous presentations, but in some ways that is a deliberate choice.
Lovingly restored to full glory, Maina Gielgud’s 1986 production of Giselle returns to its place as one of the most treasured jewels in The Australian Ballet’s repertoire.
Blue chip title Dirty Dancing twirls back into town in a production that is surely resistant to help or hindrance from this, or any other, reviewer.
Willy Russell’s classic musical packs considerable punch when presented as an understated, softly spoken drama.
Loved the play, hated the concept.
The gloriously melodious music of Gounod’s Faust is welcome in any season, but with a cast as superb as the design is extravagant, this production is one of opera’s must-see events of […]