The Melbourne return of Stephen Baynes’ Swan Lake is distinguished by absolutely superb lead performances from two of The Australian Ballet’s most loved Principal Artists.
Commencing its 2016 Melbourne season in top form, The Australian Ballet continues its recent trend of exciting modern dance programs with Vitesse.
Celebrating the glorious past and looking firmly toward the future, The Australian Ballet School marked the truly landmark occasion of their fiftieth anniversary with a wonderful evening of ceremony and celebration.
A second opportunity to attend this sumptuous presentation of Peter Wright’s The Nutcracker was too good to pass up, especially the chance to see popular Principals Adam Bull and Amber Scott in […]
A pair of classical treasures, Ballet Imperial and Suite en Blanc make a neatly balanced midyear complement to the streamlined modern dance of Chroma. With nary a trace of narrative or character, […]
An intimate celebration of the beauty of the human form in dance, Chroma is a thoughtfully curated presentation of the work of a wide range of contributing artists.
Achieving a splendid synergy between content and style, The Australian Ballet’s new season of Sir Kenneth MacMillan’s Manon complements the brand new orchestrations of Massenet’s music with lovingly refreshed sets and costumes […]
Romantic double bill La Sylphide and Paquita celebrate the sheer beauty of pure ballet, providing an evening of unabashed theatrical pleasure. Performed in a section of the season usually reserved for a […]
More than ten years old, and not showing the slightest signs of age, Graeme Murphy’s masterful production is as vivid and thrilling as ever. Following last year’s traditional staging of perennial favourite […]
The Australian Ballet’s only triple bill for the year, Vanguard is a celebration, through dance, of the beauty of the human body. Stripped back to sheer unitards, trunks and tights, the dancers […]