
From stage to screen and back to stage, Don Quixote lives anew, lovingly and lavishly refreshed in this highly theatrical, wonderfully entertaining production. As The Australian Ballet celebrates their 60th anniversary year, the […]
From stage to screen and back to stage, Don Quixote lives anew, lovingly and lavishly refreshed in this highly theatrical, wonderfully entertaining production. As The Australian Ballet celebrates their 60th anniversary year, the […]
With gala presentation Summertime at the Ballet, The Australian Ballet makes a triumphant return to the stage, the stellar quality testament to the sheer determination and dedication of the dancers and musicians to […]
The Australian Ballet returns the mixed contemporary program to the stage, showcasing the depth of talent in the company with Volt. Bookended by an almost too well-matched pair of Wayne McGregor works, […]
Cherished on every ballet world stage, The Nutcracker can be enjoyed at any time of year, especially as presented in The Australian Ballet’s decadently sumptuous production.
Brilliantly bolstered and boosted, Stanton Welch’s new Sylvia enlivens and enhances the 1876 original for an evening of pure theatrical enchantment.
The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
As witty as it is romantic, The Australian Ballet’s characterful production of Cinderellamakes an unplanned yet very welcome return visit to Melbourne, showcasing the glorious partnership of married principal artists Ako Kondo […]
Melbourne is treated to an exclusive return season of the celebrated Maina Gielgud production of eternal ballet classic Giselle.
A dazzling diorama of stunning scenery and capricious choreography, Alice’s Adventures in Wonderland is a delectable delight for children and adults alike.
A return visit to Symphony in C provided the welcome opportunity to enjoy Resident Guest Artist David Hallberg on stage in Melbourne.