Proving that lightning can indeed strike the same place twice, Victorian Opera’s concert presentation of La Sonnambula was another unforgettable evening of bel canto brilliance showcasing superstar soprano Jessica Pratt.
Victorian Opera presented another authentic introductory opera experience with this highly accessible, sweetly amusing production of The Princess and the Pea.
Victorian Opera is at its imaginatively creative best with this beautifully realised and gorgeously sung production of Respighi’s The Sleeping Beauty.
Beginning their 2017 season, Victorian Opera, continues their admirably prolific output of original material with ‘Tis Pity: An Operatic Fantasia on Selling the Skin and the Teeth.
The mighty Melbourne Ring Cycle dominated the 2016 year of opera, with an entertaining assortment of productions seen throughout the preceding months.
Australian audiences’ love affair with music theatre continued apace in 2016, with at least eight new Australian musicals playing alongside the glossy commercial productions and the exciting independent premieres.
In their final presentation for the year, Victorian Opera stimulates the eyes as well as the ears with abstract 21st Century choral beauty Four Saints in Three Acts.
With an intriguing theme of Fables, Victorian Opera announces a new year of characteristically eclectic and innovative works for 2017.
Leaders in arts innovation, Victorian Opera delivers ingeniously conceived new program Laughter and Tears, the entertainment value of which is significantly enhanced by a fruitful collaboration with Circus Oz.
Prolific producers of new work, Victorian Opera again caters for family audiences with The Pied Piper, an original composition by Artistic Director Richard Mills.
Man in Chair 